Caulfield used Hodgkin’s living room as a studio for a period of time in the 60s and the pair subsequently spent more and more time together. During these formative years their high regard for one another, both in a personal and professional sense, contributed to their development as artists.
Caulfield appears in three of Hodgkin’s paintings: Mr and Mrs Patrick Caulfield (1967-70), Patrick Caulfield in Italy (1987-92), and Patrick in Italy (1991-93), each a vivid record of time spent together both at home in England or on holidays abroad. Both artists owned work by one another; notably, Sweet Bowl (1966) and Patio (1988) by Caulfield were among the very few works by a contemporary which hung in Hodgkin’s home.
This exhibition brings together paintings by Hodgkin and Caulfield which together reveal how memory and a sense of nostalgia pervade both artist’s work in different ways. Caulfield turned to a rigorously figurative approach, using precise line and tempered hues to elevate the seemingly quotidian to the iconic. He focused more on detailing, silhouette and design, while Hodgkin dwelt on the way in which people, objects and events made him feel, transforming his own recollections of the past into gestural, highly emotive compositions using sumptuous colour.