• EUAN UGLOW, 22 MAY - 19 JULY 2024
     

    EUAN UGLOW

    22 MAY - 19 JULY 2024
    Hazlitt Holland-Hibbert and Frankie Rossi Art are delighted to present Euan Uglow, a major loan exhibition marking the joint representation of The Estate of Euan Uglow. Curated by Catherine Lampert, this exhibition also marks fifty years since the major touring retrospective she organised with the Arts Council in 1974. The twenty-five paintings on display bring together the artist’s most important nudes, still lifes, and landscapes.
     
  • One of the most significant figurative painters of 20th century British Art, Euan Uglow (1932-2000) is renowned for his meticulously constructed works. Born in South West London, Uglow began his formal art training at Camberwell School of Art (1947-50) and went on to complete his education at the Slade School of Fine Art (1950-52) where he studied under William Coldstream, an artist who would prove hugely influential in his rigorous approach to painting. Uglow was quickly recognised as a prodigious talent, winning the Slade’s first prize in figure painting and a scholarship to travel to Spain. During these formative years, he was heavily influenced by the Euston Road School founders, William Coldstream, Victor Pasmore and Claude Rogers, as well as fourteenth century Italian painting and the sculptor Alberto Giacometti.
     
    Rare and exceptional masterpieces bring to light an integral element of Uglow’s practice: the nude as an essentially formal problem. The privately owned The Diagonal (1971-77) and Root Five Nude (1974-75), alongside Curled Nude on a Stool (1982-83) on loan from Ferens Art Gallery museum, present Uglow’s masterful placement of bodies and limbs, unremittingly measured over his lengthy painting process.
  • In the exhibition catalogue, Celia Lyttelton revisits her experience sitting for Uglow as the model for Curled Nude on a Stool. Lyttelton was introduced to Uglow by the artist, Cragie Aitchison, when she was twenty-one. Describing Uglow as monk-like, fiercely dedicated to his practice, and audaciously social in equal measure, the process of sitting 'was a physical endurance test, like those of a sadhu practising Ashtanga yoga'. Models cultivated strong relationships with Uglow throughout the demanding process in which both model and artist were tied.
  • Uglow's portraits are infused with clarity and poise. The model for 'Marigold' came from a distinguished family. Here she wears...
    Marigold, 1969. Oil on canvas. 
    Uglow's portraits are infused with clarity and poise. The model for 'Marigold' came from a distinguished family. Here she wears a traditional dress in batik fabric, her mouth and chin are modelled as though in sharp relief and varying densities of paint cover the coarser weave of the linen canvas.  
     
    Landscape paintings emerged from Uglow’s ‘pilgrimages’ to the Mediterranean and attest to his unwavering pursuit of clarity, sensibility for luminous planes of light, and accomplished control over form.
     
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    Drawing lies at the centre of Uglow’s practice and the works on display demonstrate the economy of line with which the artist captured mass and volume. Working from a fixed point marked on the floor, Uglow began his exacting process involving countless pictorial investigations before fixing the figure onto canvas with 'a form he could trust'. Raw traces of this programmatic and mathematical process emerge from the surface of the drawings, including a study for Double Square (1999-2000), a painting now in the Yale Centre for British Art collection.

  • EXHIBITION CATALOGUE

    EXHIBITION CATALOGUE

    The accompanying exhibition catalogue is comprised of essays by the exhibition's curator, Catherine Lampert, with recollections from Andrew Lambirth and the sitter for Curled Nude on a Stool (1982-83)Celia Lyttelton. Contact the gallery here to purchase a copy.and for further information. 
  • GALLERY OPENING HOURS, 38 BURY ST, ST JAMES'S, LONDON, SW1Y 6BB

    GALLERY OPENING HOURS

    38 BURY ST, ST JAMES'S, LONDON, SW1Y 6BB

    22 May - 19 July 2024

     

    Monday - Friday 10am - 6pm

    Saturdays 11am - 5pm 

    Closed Bank holidays

     

    Please click here for more information about visiting the gallery.